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This was originally posted at http://reinikainen.co.uk/2009/06/iranelection-cyberwar-guide-for-beginners/ and then the account was suspended within a couple hours. I’ve reposted it in its entirety here from Brookes Baine Read more…
Mashable reported a few days ago thatTwitter’s Phenomenal Growth Suddenly Stops or has slowed to a trickle since Nielsen reported a massive increase in time spent on Twitter in total minutes rose by a phenomenal 3712% from April 08 to April 09.
It could mean that Twitter is hitting a plateau and the buzz surrounding the platform is waning this month. Nielsen’s findings are that there is only 40% retention rate of users. As the hype that has drawn users to Twitter wears off a slowdown in growth of Twitter can only be expected. Twitter could “only” expect a 10% growth if rate of that trend continued, but lets face it, thats not a bad number
n. The Twitter social networking service and the people who use it. Also: twitterverse, Twitter-verse. [Blend of Twitter and universe.]
The word Twitterverse entered the lexicon of social media in a big way in the past few months. Its appeared on NPR ( National Public Radio ) in the Washington Post , spawned a blog by Emily Chang, of Ideacodes in SF and the 1st or beta edition of a Twitterverse map.
I think the map is the best and possibly the least abstract representation of a fast emerging world and was produced by Brian Solis , Principal of FutureWorks, PR and New Media agency in Silicon Valley . He released a beta version of what he calls the Twitterverse v 0.9 last week ( see Gazing into the Twitterverse). What he and partner Jess3 have produced is a spiral universe that begins to place an order to a complex set of relationships surrounding Twitter from search , communication, mobile, analytics, relationship management, advertising and events. The spiral representation seems to be like that of solar system revolving around a central star in long tendrils representing a map of tools and applications for conversation management and measurement emanating from the vortex of Twitter.
So what does the word Twitterverse mean and where does it originate from?
The Urban Dictionary provides a broad user friendly meaning online. “the cyberspace area of twitter. This naturally extends beyond twitter.com to anywhere you can twitter, which includes cell phones.” It appears that the cyberspace area is largely undefined.
Wordspy , a blog on the word lovers guide to new words, attributes the origins of the word to Twitterverse to Adam Pasick, “SXSW and the Twitterverse,” Monkey Daemon, March 12, 2007
Adam described Twitter as ” a sort of minute-by-minute blog that you send and receive from a computer or text message. All too often this takes the form of scintillating entries like “I’m eating breakfast,” and other stuff that you really don’t need to know about other people. But the allure at SXSW is that all the cool kids are doing it. So if you want to find the cool parties, you have to read Twitter. It’s geek clique chic.”
As Brian Solis’ graphic representation shows the Twitterverse has evolved since those early days, the public, companies, the press, have all run to get on board to explore and exploit the platform as a short form news , PR, promotion, and ideas to a range of tools that map the relationships between information sources , their conversations topics, circles of influence, and the broad sweep pf readers or “followers”.
To emphasize the size and significance of the microblogging platform Neilsen reports that time spent of time spent on Twitter has grown a phenomenal 3,712 % in the past year. Who ever coined the phrase Twitterverse is watching this new universe take shape and form as it expands.
Top 10 Social Networking and Blog Sites Ranked by Total Minutes for April 2009 and Their Year-over-Year Percent Growth (U.S., Home and Work)
RANK
Site
Apr-08 Total Minutes (000)
Apr-09 Total Minutes (000)
Year-over-Year
% Growth
1
Facebook
1,735,698
13,872,640
699
2
Myspace.com
7,254,645
4,973,919
-31
3
Blogger
448,710
582,683
30
4
Tagged.com
29,858
327,871
998
5
Twitter.com
7,865
299,836
3712
6
MyYearbook
131,105
268,565
105
7
LiveJournal
54,671
204,121
273
8
LinkedIn
119,636
202,407
69
9
SlashKey
N/A
187,687
N/A
10
Gaia Online
173,115
143,909
-17
source: The Nielsen Company
This blog is published and maintained by John Horniblow AKA BladeDigital ™ : On the Cutting Edge
P & G hosted an EMEA Digital Night at in Geneva bringing together its marketing , ecommerce , digital communications people and their agencies to participate in a digital and social media experiment on a real live campaign. At its outset it appeared to be a daunting proposal , to spearhead a full blown digital media campaign in two hours with the ultimate idea being to maximize the groups reach , push their influence, and market and sell the idea of donating for a Pampers & UNICEF program to eliminate Tetanus aiming to raise 100, 000 GBP in 18 hours.
Pampers Save a Baby. One pack , one baby.
“A baby dies every three minutes somewhere in the world from tetanus. It is completely avoidable and Pampers is sponsoring and raising money for a UNICEF vaccination program worldwide.”
The ensuing two hours was bold and adventurous as assigned groups armed with a few basic executional assets and a donation landing page split off to devise and execute a fund raising campaign utilizing only digital channels. There were no set rules in what the approach needed to be other than it needed to be “executed with integrity”.
The groups immediately raced to begin and obvious point to turn to were their friends and associates linked in the various social networks. Facebook groups emerged , links appears, a donate widget application got added to personal pages and the conversation began in earnest. The emergence of strategy then began to permeate the groups as each devised campaign message and a reach strategy in how to maximize audience across a multiple touch points making the approach more sophisticated, pointed and less haphazard.
Blogs , YouTube videos, an influencer campaign on Tweeter and through Facebook , chasing and contacting high value donors , negotiations for impressions across online publishing networks linking multiple contact channels and coming together at a rapid pace. In a jaw dropping moment a little while latter a one million impression banner campaign appeared across one of Germany’s major newspaper sites. The buzz and influencer phenomena then took over with global reach. As the intensity of the push to raise money took hold , groups began to monitor their competitors actions and tactics, calling for quick decisions on how best to out wit the competition and move to next channel almost in a race to be first. Viral campaigns riding on the back of Selma Hayak’s ambassadorship sprung up, well designed internal direct email campaigns raced through the P & G network , tell to friends campaigns in the social sites. A directed and awe inspiring frenzy of digital buzz. The results .. they are a secret .. but it worked.
Who owns the social web isn’t really a big question. In the many communities the ownership or even the behaviors in that social community are often dictated by the community itself. The community owns the community , the community polices itself and protects itself, and everybody in the community shares a democratic principle of ownership and inclusion. My observation of inter-communications on many fan and strong communities is that there can be a point of self regulation , where the community members dictate what sorts of behaviour are acceptable , what tone of discussion is acceptable and will pull other members in the community into line or reject them if they feel they are being antisocial or unfair in the context of that community’s voice. In the community or social media world its the community that has the power or the onwership by virtue of being involved and sharing their voice and ideas. What it does is really raise the question “who owns the community’s brand”? In the Social media world its definatly the consumer who owns the brand. Even real world (non virtual brands) are often owned in the mind of the consumer, despite what their manufacturers, FMCG brand managers might mistakenly believe, and the consumers non acceptance of product changes or variations often causes dramatic failures for brands. A brand is more than just a product. Coca Cola’s release of New Coke in 1985 floundered as a failure as Coca Cola forgot what its core brand stood for and thought that taste was the was only factor consumers cared about. Its research failed to highlight that Coke consumers had a deep and abiding emotional bond to the “Real Thing” and launched a new formulated Coke. The public basically boycotted the new product and the company had ceased production of the old product causing a huge and costly problem for the company. The company had to revert back to the old formula.
Facebook has become the greatest facilitators of human conversations, its building itself as a brand based on emotional bonds and trust in a shell of social , web 2.0 services. Friday’s announcement that Facebook users have voted to back changes which give them control over data and content they post on the site dosen’t surprise me. The community has spoken , the company had actually listened or risked failure. Following Facebook’s meteoric rise to its recent press announcements that it has reached a point of 200 million users I stopped to think about that number and a pending crisis on the ownership of personal data that had emerged in recent months. I for one and many of my friends expressed great concern and a potential swap of services at Facebook’s assertion that they owned the rights to any and everything published in their services, from photos, to widgets , videos , comments and conversations. It even went to the point where they could exploit any IP or copyright of anything posted on the site. Where it almost went wrong was to not listen to the true voice of its consumer base and continue to pursue a path of proprietary ownership of all and everybody’s personal content, thoughts and conversations when many complained or threatened to leave the service. In this case Facebook the brand, not the service, is wholly owned by the consumer base it serves.
What is interesting, and if not co incidental , is that it was the same day that Yahoo announced that Geo Cities was being closed down. Yahoo paid $3.5 bn for the free hosting service back in the early days of the dotcom boom. Where it failed to compete with the likes of Facebook and MySpace is that while they offered a similar concept of hosting free personal pages on the web there was no evolution in providing services that allowed a community to grow or for people to communicate or commune with one another or share it with other friends ubiquitously. Yahoo failed to wrap all it social and communication technologies that it had at its disposal in different business units( IM , email , even content ) into one set of social communications services and make the transition to a more Open Web. The brand never really made a leap to having an real emotional attachment to the consumer by failing to provide the emotional conduits or communications channels. Was this because Yahoo saw Geo Cities only as a media advertising opportunity? Another missed opportunity.
The concept of digital or online engagement has always been an integral part of the interactive vernacular from its very nascent days . In the early days at the run of the last century the people in the interactive business coined the phrase “stickiness” as a way describing a site or service where a consumer ( or the sites audience) would spend more time , continually revisit a site, play with more things , discover new features or actively converse with their friends. The social communications technologies were all well alive in the early adopter phase , bulletin boards, chat room , and IM. In the heady dotcom days the concept of developing media properties was all about stickiness. How else could you realistically place a value on your property and it potential for media placement if its audience didn’t return to site , stay longer , use its features , play games, watch or listen to media and go deeper than the 1st page ?
The real opener for Engagement or the liberator, so too speak, has been the uptake in the broadband connection at home , rather than having it relegated to the work place . The “always on” connection at home changed the descriptive concept of Stickiness to Engagement. The simple fact that there was a general mass market adoption of high speed internet predicated a change in the vernacular as the real marketing potential of the medium opened up. The availability of more connected , richer experience from the consumption of media ( video, audio , and animations ) and a greater depth in connectivity to services( e-commerce, search) and information opened up the medium and metaphoric description of Stickiness had to evolve to more active verb of Engagement.
The Age of the True Consumer’s Voice and Consumer Generated Content
Engagement never remains static( not that stickiness did either). The recent mass market adoption of social communication technologies, as in the last 3- 4 years, has led to today when we talk about the social media revolution, and Engagement has taken on a new face . Todays social media technologies are facilitators of conversations and dialogues not just confined to one site or group but open to any and everybody, almost anywhere, instantly. Everybody has a voice, a digital persona, a digital footprint and a devise for communicating digitally. It is the age of the “True Consumer’s Voice” . Digital Engagement is now the social communications evolution , encompassing social media, digital media and interactive services. Its not surprising that the UK government recently advertised to appoint a Director of Digital Engagement to help direct its efforts in “overseeing a move to engage more with citizens through social media and other digital technology.”
The Metrics
So how do we measure Engagement ? The debate is relatively new . In Eric T Peterson’s , web analytics demystified , he describes Engagement as ”an estimate of the degree and depth of visitor interaction on the site against a clearly defined set of goals.” I think there’s room to expand upon this. Webanalytics is one sided and there are two sides to the equation.
To me a website is essentially a closed environment , although blogs and RSS has opened up content distribution. The measurement of the closed environment is Quantitative and measurable, which is the web analytics view point; the end to which we can determine the quality of a website visit . The engagement metric comes down to , the depth to which a consumer will go into your site and propensity to interact with or view “critical content” , their ” length of visit”, whether or not they come back e.g. ” frequency of return visit”.
If we were to add the consumer’s perspective and become more subjective in the classical marketer’s view, using the analogy of the “path to purchase”, we could add the propensity to which a consumer would recommend or talk about the site, its content or its services to a friend using something like the net promoters score. ( you can’t find that in the web analytics) . This, when coupled with the web analytics , gives a good view of a loyalty or advocacy co-efficient for the site.
In the Open Web or social media context its about all about Consumer Generated Media ( CGM ) and there’s another dimension which is purely Qualitative. Its the understanding of the voice and tonality of Engagement or behaviourial responses a consumer has . You can measure and analyse Buzz, Tonality and Sentiment, with the real appreciation of the true consumer’s voice. When you add your closed systems reporting , e.g. the web analytics to your Open or social measurement of consumer’s voice then you really see the whole picture.
Digital Marketing is all about the consumer experience with , accompanied by, and within a brand virtually. From the physical dimension of a brand to its mental associations, its brand equity, or brand essence , down to very granular services or information surrounding its place in a consumer’s life, all can and should be experienced digitally.
One way of considering the full digital marketing mix is to look at as a digital ecosystem. As in any successful ecosystem, all the elements and their inter- relationships support and keep the ecosystem alive, adapting and thriving. And across the digital marketing mix there is a problem if these all remain in silos. The traditional marketing pillars of awareness, acquisition and consumer retention should be applied across all types of digital interactive services or content in that ecosystem as active environmental roles that support the ecosystem. More importantly, they must all be considered as digital consumer touch points, each with an active role to play. In a cohesive or holistic sense these traditional marketing pillars should applied against very activity in standalone website or across a full digital ecosystem ( sites, services, distributed content, social networks, digital media/advertising, email marketing and CRM ) and should always be considered. Conversely , these digital touch points should be supported by other non digital channels ( POS, above and below the line media , on pack) ; a virtual environment needs to exist with a physical counterpart.
While some of the activities, content, or interactive services you have on a site may seem obvious its always good to justify there existence against what your aims or goal are in the marketing mix. No one element is exclusive , all are interdependent just as they would be in the normal sales funnel, and what’s interesting about this is that you can seek to balance activities against the goals and make decisions of what interactive pieces you might consider for the traditional marketing pillars of awareness, acquisition and consumer retention.
What’s interesting today in the more social interactive world is that in the consumers journey along the traditional sale funnel seems to be either accelerated or they can identified anywhere in the funnel a lot quicker. The activities surrounding your he traditional marketing pillars of awareness, acquisition and consumer retention seem blurred. Lets take, for example, Bacardi . In its recent digital campaign to further its association with a night clubbing and dance club lifestyle worldwide, it chooses to be a trusted facilitator in an aspect of that lifestyle, by providing the service of a digital music sharing platfrom . It uses social media by offering aspiration based rewards of free limited edition, 1st to hear, music tracks to those consumers (its digital advocates) that act as a word of mouth spokes-peoples for the brand’s service by being the source of introduction of the Barcardi music sharing platform to their friends and rewards them accordingly. One could say that its the digital equivalent to brands giving away a utility that is associated with or inherent in products consumption. Like a coffee brand giving a branded cup or spoon or something inherently needed with the process drinking coffee. But in the case of Bacardi its wrapped up in a social relationship reward program that only digital can provide at relatively low cost and be highly. What is does is either accelerate the potential for identifying advocates or it even makes a brand advocate out of a consumer who may not necessarily consume the brand or be an MVC. This is not bad thing, who wants to stop a consumer talking about your brand in a positive way whether or not they consumer your brand?
“To help people to use and protect the data they create on networked services, and to advocate for compliance with the values of DataPortability.” Dataportability.org – Mission statement
I think that one of the most important and interesting projects to come too light over the past 18 months has to be the DataPortability project. I can’t think of a more defining project that seeks to put the consumer in control of their data, in an easy framework, than this.
As a digital marketer, online developer and manager of a major “ecosystem” of company websites I had always been challenged by and worked to successfully remedy the idea of a federated user login and password or identity that would allow users navigating a network or an “ecosystem”of websites to have just one unique ID. This unique ID allowing them access across a network , without having to login as multiple different identities across multiple sites and let them negotiate and choose or personalize what’s important to them and then manage their preferences.
Lets face it the majority of us have a number of identities in a myriad of web databases ; As a consumer I possibly over one hundred “sign ups” on sites where I have an identity or have surrendered my contact details for either verification of who I am , membership, product registration, interest in a communication, a CRM activity, a social network identity , or just a security login and password . If I was able to simplify this and manage that in a more organised and less haphazard way I would.
The concept of DataPortability is having the option or choice to use your personal data between trusted applications and vendors. As simple as that . What is important , especially in the current digital climate , is the protection of consumers rights when it comes to their data and data privacy. The consumers need to have control over their data by determing how they want to use it and who can use it. This includes access to data that is under the control of another entity and the interoperability of that consumer identity or data across an independent network of online services and sites. What will become important in the not too distant future, is the potential trust rating between the consumer and the companies providing online or digital services , media, and product marketing. Companies with the most transparent , upfront and honest approach to managing consumer data will ultimately be successful. Those whose integrity is questionable or not transparent will ultimately see a consumer backlash.
With raging debates taking place as to just how far companies such as Google own the insight to online behaviours by tracking consumer browsing habits from site to sites by cookie-ing them, the concept of DataPortability in extremely timely and necessary . Its scary to think that Google can pinpoint and locate with uncanny precision a physical person and have a map of all their behavioural characteristics and that they have been known in the past to surrender that information to government security and intelligence agencies.
With Social networks and the spill over to media networks becoming more open , more interconnected , and more distributed I would say that DataPortability is not an emerging trend but an imminent or inevitable necessity. The current list of sponsors is impressive Microsoft, Google, Facebook, SixApart, Digg, Plaxo, Linkedin and apparently 1000s of other participants. Interestingly it includes the two digital darlings, Facebook and Google, that appear to be at the centre of debates surrounding consumer data , who owns it , who controls it , and how it can be exploited, with both companies getting into hot water either by government privacy watchdogs or with their userbase themselves. With the support of cross-system data access, interoperability, and portability, people can bring their identities, friends, conversations, files, and histories with them to the service of their choice. This cuts down on the need for form-filling , new passwords, preferences of data transfer on the consumer side. The service providers or networks can tailor services to suit their consumer base with little effort required by the consumer. Consumers browse networked services and accumulate experiences and if they permit it, this information is updated in the network of sites a consumer may participate in. For online and digital service companies the “mutual control” and “mutual benefit” with consumers has an upside that the relationships remain relevant, data usage remains transparent and will encourage continued consumer usage.
Who would have thought that a food company could sell an iPhone Application not just for ordering its product?
The iFood assistant developed by Kraft, the world’s second largest food company, has turned the tables in mobile marketing for FMCG. Kraft is currently enjoying a rather prominent promotion on Apple’s website and in the App Store, which features video interviews with executives involved in the app’s development.
What’ s great or interesting about this is that Kraft has looked at where it adds value to the its on shelf products and developed a consumer proposition that is purely experiential and consumer focussed. Kraft tapped into its pre existing content base of recipes , cooking videos , add the notion of a meal planner and then added a store locator . The lessons for marketers based on Kraft’s success with this iPhone application are many and that the consumers brand experience goes well beyond the product on shelf , or at home in the kitchen or the real moment of truth when its consumed . The experience can manifest as useful helper in everyday activities. Its about the brand but all all the services and value added content surrounding the brands , packaged as a “paid for” but highly useful portable electronic assistant that is “always on” in your pocket or bag. One touch away. Its also that fact that it is a conduit or exclusive channel for brand communications that can be entertaining and engaging and that it can extend offers , and potentially coupons as well.
Kraft is cleverly delivering its brand through the application, and using it as a advertising platform but it’s also driving new revenue streams from its cut of sales on the App Store — its a shining star in the field of branded iPhone applications. Why? because user experience is centred around and wanted valuable services and their info-tainment value , not just being branded advertising app.
The internet may be amorphous machine , somewhat chaotic it breadth and depth but it also lends itself to very fast and quick generation of trends and directions in human communications and where and what people do virtually is able to be mapped as lines , hubs, converging rails and directional lines.
Tokyo subway map
With 882 stations on 14 lines, Tokyo’s subway system is one of the largest — and busiest — in all the world. The system map is a twisted mass of lines and stations. Consider this : Shinjuku one of the largest — and busiest stations in the world is the main hub for 12 different lines that link central Tokyo and its western suburbs. Approximately 3.6 million people pass through the station each day. It has four concourses, eight department stores, three dozen tracks and more than 200 exits.
The images I hold in my mind have of the Tokyo subway system are nothing short of mass commuting on a grand scale with little or no respect personal space and that my idea of crowded pales as comfy . The western concept of the having an invisible barrier that creates an magic space or outer boundary around your body goes out of the window when you hear of whited gloved station attendants, called oshiya – literally, “pusher” politely but firmly shoving people into the cars or with special human” herding sticks” to squeeze commuters onto already seemingly full trains. Its a remarkably efficient mass transit mover of wave of a humanity , impersonal , raw and sprawling.
The Tokyo Subway analogy of where internet traffic and trends converge is wonderful metaphor upon which to begin to put order to the sheer number of cyber commuters , the convergence points of traffic and communications , the conjecture , the posturing , the speculative and the inherent generational morphing that occurs in pockets on the net and then spreads. Information Architects Japan produced a 3rd version of the the map in 2008 ( see above ) presented as an isometric landscape with two layers: one showing the brand evaluation of the main sites, and other layer their interface or usability. The map has changed from the original two maps that looked graphically like the current Tokyo subway map.
What is interesting to note is that map evolves each year and and sites can move from station to station based upon a subjective or even and analytical prediction of their importance, business play, style , audience and get placed on the map relative to the actual physical station it surrounding real estate and it core commuter.
The telling things in 2008 map as noted by IA Japan were :
Google - The Center of the Center:
“In terms of traffic, Tokyo station is the center of Tokyo. That’s why Google (which is slowly becoming a metaphor of the Internet itself) has moved from Shinjuku to Tokyo Station. Google continues to push new modules into the main lines in an attempt to occupy the center circle.”
Dataportability : Unknown, But… : Dataportability.org in Uguisudani
” If things turn out as they seem like they’re going to, the newcomer of the year is Dataportability.org. It has become the center of online identity practically overnight. OpenID, Google, Facebook, Flickr, and Plaxo all opened-up and joined this incredible project. Microsoft probably won’t be happy as Passport (or is it “Passport Live?”) now has no significance.”
Facebook : Just a Hub: Facebook in Nippori
” Facebook has moved to Nippori because, from a broader perspective, Nippori is boring. But it’s still an important station (Nippori is a hub for Narita, Tokyo’s international airport).” Just as Youtube is an important hub.
Yahoo : Ya… who? Yahoo in Tabata
” Along with our speculation that the Yahoo brand will move increasingly into the background as an umbrella for more exciting products and brands like Flickr, we gave Yahoo an insignificant station. Flickr, in Nishi-Nippori, is closer to Facebook (also a strong picture-sharing portal) than Yahoo (Yahoo-owned Flickr is a part of Dataportability.org).”
MSN :Moving Towards a Central Node: MSN in Shinjuku
” MSN has moved to Shinjuku. Lately it has increased its network (see: deal with Newsvine and The New York Times). MSN—unlike Microsoft Live—is doing things right.”
Andy Cato - “Sharing music has always gone on. It’s giving music away that’s the problem. We wanted to come up with a 21st century version of what we used to do with cassette tapes. When you give music away for free it’s disposable. When you share it, it’s done with love.”
There is an inherent need for music publishers to create buzz around tracks and artists but also to work in their spheres of fellow producers, musicians and their fans or audience. So in the artist self publishing and artist self promotional days , that have the music labels traditional A&R business scrambling, what could be more relevant than a social network of music “taste makers” , musicians, labels and publishers? The emergent answer is ; SoundCloud !!
In the burgeoning world of social media applications there is a launch of new business concept everyday, redefining the working practices of many social and professional scenes across all types of businesses. Music, while being at the forefront of consumer media consumption changes, is no different. While in its nascent days SoundCloud offers a full social network for the thriving music scene based on the simple sharing and following concept. SoundCloud makes it easy for people to send & receive music. Simple as that. What it isn’t is one of those illegal peer to peer file sharing platform that have all but hijacked the music industry and elevated music piracy to the epidemic level. The promise of music uploading and sharing in this community is that you cannot share music without the consent of the proper right holders and any user sharing music illegally runs the risk of having their account deleted and being reported to the relevant authorities. You can make your music private or public and shareable. What could be more easy than uploading your latest mixed track, to your known group of promoters and tastemakers or giving it a limited public preview or limited public download that could be shared across the social media websites across the world?
What I also find appealing is easy to use interface, a simple but effective and non nonsense way of getting at what you are there for , listening to music . This is not a Rhapsody or Pandora like website either , but a more socially driven sharing platform minus any overbearing commercialism .
The Angel 60 Channels
But lets not kid ourselves , not every budding or aspirant musician or DJ is bound to be a radio star or a pioneer in digital music business model such as The Angel , Radiohead, Prince or Groove Armada. What is clear in this application is that realm of music PR belongs in the hands of its fans and promoters. ”Social Media” places the audience at the forefront of PR or word of mouth promotion, playing into the hands of the real evangelists; the buzz creators. SoundCloud will only grow and mature over time from its early underground days. What interesting to me is that the age of mix tape or mix CD is a fading long gone distant memory.
Music and its digital portability has placed it upon the crest of the wave of change in traditional medias, creating an urgent need for the major Records Labels and Publishers to review there very model of business. The new wave of artists and their producers are clearly taking control of their own livelihoods and their media.
Recently OgilvyOne Paris released a widget for Croquons la Vie , Nestle France’s revamped online Consumer Relationship Marketing Program . Aided by what appears to be a concerted digital PR campaign targeting blogs and digital influencers and using its inherent widget -portability or share-ability , it appears to be making some traction. Readily downloadable from the main site Croquons la vie its easily transferable to Netvibes or iGoogle where you can make a number of choices on where and how you want to display the widget.
When it comes to looking at CRM practices this widget doesn’t disappoint from the marketer’s, and more importantly, the consumer’s standpoint. Loaded with a rich content offering of monthly recipe videos, recipe links , and coupons , this widget provides the “value add” that consumers expect from relationship marketing programs. As well, it also adds the possible concept of social marketing and content distribution into the CRM mix as it extends the digital marketing ecosystem beyond websites into the desktop world and potentially into mobile phones overtime.
What is clear about using widgets is that you can extend the CRM based services and value added content , personalize it , and use them as your own private brand driven media channel , pushing content or marketing communications to the widgets, where ever they may be. By simply adding the widget the consumer has actively subscribed to the brand communications , placing themselves very clearly in control of the content they will view as it changes over time. The relationship is nurtured through a constant evolution of digital content offerings and the promise of discounts via coupons that can be claimed directly through the site. What will become apparent over time is that as the install base for the widget expands dramatically, so does its propensity to become a media conduit for other brand communications . Content could even extend to retail partnerships as a way of subtly extending the shopper communications that may link consumers back to instore promotions or e commerce applications.
What is also clear is that in the coming year through consumer uptake of iPhone an or smartphones and the development of Google’s Android ( Open Handset Alliance Project) in 2009/2010, is that the mobile phones will become “widget compatible” . The consumers use of smartphone or Androïd platform, will not be bound to simple static applications but open to a diverse range of content services that can be streamed onto the phone , although for the time being the support of Adobe’s Flash file format seems hard to accomplish on phones.
As Bruno Walther , CEO of OgilvyOne Paris says “The more time passes, the more I am certain that the widget is the future of the client relationship (CRM). ” , and on this note I can only agree with him wholeheartedly. Pick the widget up from Netvibes
You may not know it but Hi5 is the third largest social network in the world polling into position behind Facebook and MySpace. What make its different from the other two is clearly its audience. It has around 60 million unique visitors per month , 40% of whom come from Spanish speaking countries. This makes it the largest Latin American or Hispanic social network . While virtually unheard of in the United States the UK or some of Europe there are reasons to believe that this could change. The key information to be aware of is that more and more people in the U.S. are discovering the site, a trend line that will likely keep bending upward in the next 12 months. What would be interesting to track is whether this new US based audience is ethnically and demographically the young Hispanic and creates a parallel spanish speaking social network the covers the Americas and Spain . As of mid-2007 the Hispanic community in the US, the largest minority group , accounted for 15.1% of the total U.S. population and also since 2000 have accounted for more than half (50.5%) of the overall population growth in the United States
Hi5′ s music and video applications rival those of other, more popular social networks, and Hi5′s mobile app is first rate.
Hi5 won’t be bigger than Facebook by the end of the year, but it will have grown significantly, and it will have given many people an attractive alternative to try out
What will be interesting to observe in the near future is whether the identities of one social network can or will be able cross register with the other using the concept of Open ID.
“An emerging network- centric platform to support distributed, collaborative and cumulative creation by its users.”
- John Hagel
Web 2.0 is such an amorphous terms that defies a hard definition. In the many years that have been talking about and working in in web development and interactive marketing I would often describe the evolution of the web as generational, heralding each leap in concept from media, content, browsers, systems and platforms as contributing generational stepping stones to where we are today. The hyperbolic change that occurred in the early internet years seemed to have generational change each successive year with competing technologies, media companies and battling it out for a controlling position. When the dot com bubble finally burt in 2001 there was a turning point in the web. The point where after a shakeout the ascendent technologies began to differentiate themselves from the raft of “frothy flotsam ” washed up in wake of the the crash. Perhaps the corporate agendas of owning or controlling the web , the antithesis of its organic and free form, had failed. What was apparent at this time was that new sites and technologies kept on revitalizing the digital space in an open and collaborative way.
While the boom was definitively over the web just kept evolving in open way and the transition to Web 2.0 was enabled by the emergence of platforms such as blogging, social networks, and free image and video uploading, that collectively allowed extremely easy content creation, access and sharing by anyone who had a computer and a connection. The barrier to entry of web publishing or content creation was over and the social voice of the digital consumer had begun its transformative ride over traditional media.
If you think Web 2.0 as simply social networking or just about the technical or geek jargon…. you really need to think again. Every aspect of Web 2.0 is driven by consumer participation, from content, its voice, browser development, technology platforms, and an ever evolving digital life. The most definitive trend and primary direction of Web 2.0 is for users to control the content they create, the data captured about their web activities and their identity and their willingness to participate and socialize collectively. The gradual opening or advances in digital standards have allowed for a common interfaces and integration across content and applications allowing a less constrained environment then had previously existed before. Decentralized in its architecture, participation, and usage, Web 2.0′s real power and flexibility emerges from distributing applications and content over many points rather than having them locked down on centralized or controlled systems. Its is truly becoming a plugin and play open environment for digital interplay between content and devices where the consumer experience of media or content mobility is quintessential.
What is very clear is that the Web 2.0 is not a trend or fad, it is not going way or will disappear, its here to stay. What is even more interesting is that the internet development chatter is about the next evolution , Web 3.0 or the semantic web, an intelligent web based on behavioural understanding of the consumers digital actions. What’s going to be interesting about Web 3.0 and will define just how far it can go will be the consumer privacy laws. There’s potentially an imminent consumer back lash looming in the near future concerning the use of known and personal data points surrounding behaviours.
There are a small number main characteristics that help define web 2. 0 In the marketers world there are a few we should be aware of as these have become part of the mainstream marketing language:
New Media Marketing: a term to describe the building and managing of social networks and online or virtual communities, and extend the reach of marketing to the low-frequency, low-intensity consumer in a cost effective way.
Buzz Marketing: The strategic use of word of mouth, the transmission of commercial information from person to person in an online or real-world environment.
Viral Marketing: The intentional spreading of marketing messages using social networks, with an emphasis of the casual, non-intentional and low cost.
Collective Intelligence or Collaborative Filtering : Essentially what this means is that “users” contributions greatly help build and make the foundation stronger and more popular by adding their content, such as links, comments, forum posts, reviews, rating others, an aggregation of the best work of thousands, then millions of web users (example: YouTube – more comments, more “thumbs-up” the more popularity), and any content contribution really. Without the end “user” the sites popularity goes down – if there is no interactivity for the end user, it’s not collective “anything.” So in short – the site grows organically in response to user activity.
Users Add Value: The architecture of your software development relies on “public” users to add their own data thus adding more value to your application. FireFox, Mozilla , Red Hat Linux WordPress ,(possibly the most used blogging software in the world ) grow in functionality through a network of contributing developers.
“Some” Rights Reserved: Expanding the range of creative works accessible for others to legally build upon and share. The Creative Commons (CC) is a non-profit organization dedicated to just that. The organization has released several copyright licenses known as Creative Commons licenses. These licenses, depending on the one selected, restrict only particular rights (or none) of the work instead of customary copyright, which is more restraining.
The constant Beta: Sites like, Frappr, CafePress, Flickr, FeedBurner…etc. rely on a services evolution or constant improvements and enhancements , New features are packaged up into massive releases, but instead added them on a regular basis as part of the normal user experience.
Rich User Experience: Web 2.0 applications are built of a network of cooperating data services.
When it comes to the driving Web 2.0 technologies we should also aware of:
Aggregation: Bringing multiple content sources together into one interface or application.
AJAX : (Asynchronous Javascript and XML) A combination of technologies that enables highly interactive web applications.
API : (Application Programming Interface) A defined interface to a computer application or database that allows access by other applications.
Embedding: Integrating content or an application into a web page, while the original format is maintained.
Folksonomy: Rich categorization of information that is collectively created by users, through tagging and other actions. (cf. taxonomy)
Mashups: Combination of different types of content or data, usually from different sources, to create something new.
Remixing: Extracting and combining samples of content to create a new output. The term was originally used in music but is now also applied to video and other content.
RSS : (Really Simple Syndication) A group of formats to publish (syndicate) content on the internet so that users or applications automatically receive any updates.
Ruby on Rails: An open source web application framework that is frequently used in Web 2.0 website development.
Tag cloud: A visual depiction of tags that have been used to describe a piece of content, with higher frequency tags emphasized to assist content comprehension and navigation.
Tagging: Attaching descriptions to information or content.
Virtual architecture :The creation of avatars (alternative representations of people), buildings, objects, and other artefacts inside virtual spaces.
Widget: Small, portable web application that can be embedded into any web page.
XML : (eXtensible Markup Language) An open standard for describing data, which enables easy exchange of information between applications and organizations.
Open web: The entire space of the World Wide Web open to anyone to access and participate. This has been the initial domain in which Web 2.0 technologies, applications, and attitudes have developed.
Posted by John Horniblow on Jan 6, 2009 in General
The many faces of Digital Marketing
Is it a website, a media campaign, a banner ad or pay per click?, rich media ? Is it an email campaign, mobile campaign or maybe a microsite, SMS or Intelligent Voice Messaging (IVM)? consumer generated content ?
What about blogs, Twitter, Social Media Networks , Bebo, Hi-5, Linked-in, e-acadamy and Facebook, or Web2.0 dynamic, distributive content-driven websites. Does it include optimized keyword searches (SEO), SEM SSM, Digital PR or buzz? Is it e commerce , widgets, or mobile location-based marketing?
Digital marketing is all of the above – born out of the information age at the end of the 20th century it’s simply marketing in the digital age. Consumers’ lives have becoming increasingly connected. Convergence and “always on” connectivity is becoming increasingly mainstream, and new important channels of communication and opportunities are opening to marketers.
Social Media Marketing is emerging as one of the most important, if not the most important, source of information for the consumer but also for the marketer in listening too, responding and measuring consumer sentiments.
Marketers have now gained the ability to enhance, empower, interact, converse and otherwise live within ever deeper segments of consumers’ lives, well beyond the reach of traditional media. In the 21st century, the database is the marketplace and the way in which a consumer interacts or engages with a brand and vice versa may well be a new form of marketing . And one thing is clear – data is and will be at the centre of it all.
Digital marketing is not digital for the sake of digital but an application of established marketing practices re-thought or re engineered in the digital world. It is all about permissioned based , persuasive and at times pervasive consumer engagement.
Posted by John Horniblow on Dec 21, 2008 in General
Welcome The Daily Slice for an insight to the evolving world of Digital Marketing for the modern day marketer. While the discipline is new too many the foundations of digital marketing have been in practice and developing under many other names ( interactive/online/new media/ communications and marketing ) for the past 14 years as the world enters the early days of the Post Information age . The concept for digital marketing is that its not digital just for the sake of being digital but draws upon the analogue and real world challenges of consumer based marketing communications in the context of changing and evolving consumer behaviours. In the Post Information Age the face of the communications world truly is digital and the old or yesteryear idea of convergence media , while still in the flux of establishing a pure convergence , is a dawning reality .
The shift of media from the concrete world of atoms to bits marks this fundamental change. Today we can see the basic structures of entertainment, media, news and information have shifted dramatically : newsprint empires are in decline, the music industry’s formulaic old world business strategy upon which its meteoric post war rise has failed to evolve under the pressure of digital distribution and the consumer right of choice, the video game companies are touted to be the new Hollywood and new battleground for consumer electronics is the digital entertainment and information hub in the lounge room. The age of personalized information and entertainment choices is in its nascent years. The real world emulation of social communications online ( Social Media ) , is defining the power of consumer voice and possibly laying insight to behavioural trends in media consumption. Social Media Marketing is also emerging as one of the most important, if not the most important, source of information for the consumer.
I think there is a lot of credence given to the current line of thought that digital has changed the face of marketing forever. I do think its prudent to say that while consumer media consumption habits have changed and are evolving in this Post- Information Age , digital represents a personal and exploding number of contact points or new channels open to the marketer. The marketing challenge is nothing new : understanding how to reach the consumer with the what, when, where and how , in these channels.
Recommended Reading: while a little old Being Digital : Nicholas Negroponte still is a great starting point in understanding the principals of digital change.
This blog is published and maintained by John Horniblow AKA BladeDigital ™ : On the Cutting Edge
Recently OgilvyOne Paris released a widget for Croquons la Vie , Nestle France’s revamped online Consumer Relationship Marketing Program . Aided by what appears to be a concerted digital PR campaign targeting blogs and digital influencers and using its inherent widget -portability or share-ability , it appears to be making some traction. Readily downloadable from the main site 
